Harmony’s new Standard Series are proudly made in Kalamazoo, MI, USA. The Harmony Silhouette, Rebel and Jupiter guitars (US MAP $1,299) are inspired by the shapes and sounds of the past, but reimagined for the modern player. We designed these guitars with performance in mind, and with all the attention to detail and quality you would expect from a USA made guitar.” To celebrate Harmony’s return, the brand has released an evocative video, tracing the ways Harmony guitars have been a part of many people’s lives, connecting generations and inspiring them to make music.Įdwin Wilson, Senior Manager of Guitar Design & Development, BandLab Technologies says: “We’re pleased to introduce Harmony’s three latest guitars to the market, building on the familiar shapes this iconic brand is known for – but reimagined and updated for the rigorous needs of the modern player. Among the boutique amps I’ve tried, I’ve not heard another that so simply and elegantly balances tradition and invention.Kalamazoo, MI (June 28, 2019) - Harmony’s highly anticipated new line of solid body electric guitars are available now, and rolling out across the USA. And the speaker is an Eminence-made, 60-watt, 12" Carr Valiant. The other knobs are volume and reverb, of course. I tend to live in the “58”/ “lush” zone and let the pedals do the tweaking onstage, but for cutting tight-sounding solos with hair, the “lean” setting helps maintain focus. “Lush” is exactly that-rich, full-range tone. Toggle two jockeys between “lean” and “lush.” “Lean” is a low-cut and, with some adjusting of the tone dial, it allows Vox-like voices to emerge. The first sculpts the amp’s basic tone profile like an old tweed’s, while “58” summons up a classic JTM45 core. One shunts between “53” and “58” settings. It has two other tricks in a pair of toggles. There’s a 12AX7 and 6SL7 octal for the preamp and a 12AT7 driving reverb. The coolest is its tube array, which blends a 6L6 and an EL84 for remarkably detailed, complex, and fresh-sounding tones. All that voice comes out of a 12", 75-watt Eminence Red Coat Wizard.Īs you’d guess from the name of my Vincent’s buddy, the Telstar has mojo straight out of the space age-plus a few innovations. It pumps up response and punch, lending sparkle at low volumes and snarl at higher ones. The drive is kinda like a clean boost and comes after the volume and tone-shaping sections. I tend to keep the other extra-sauce function, drive, up to about 4-to-5 o’clock. The boost partially bypasses the tone stack, so the EQ controls don’t do much when it’s activated. This is where I live, because I love the depth, clarity, warmth, and growl available, with a lick of smooth compression. The mid dial also engages a boost function that increases midrange and gain. The controls are (left to right) volume, treble, mid, bass, reverb, and drive. It has three 12AX7s and one 12AT7 for the preamp and reverb, and two 6L6GC power tubes. The Vincent, which Steve Carr’s Pittsboro, North Carolina, shop has rechristened the Viceroy, blends a ’60s-style preamp circuit with a ’50s-inclined output section. They are a very intriguing alternative to those very familiar sounds-especially when you add in the out-of-phase mode available via the push/pull volume knob. But I'd guess that, ultimately, even dyed-in-the-wool adherents to Gibson- and Fender-style tone recipes could really warm to the unique balance between present high-end and more concise, subdued bottom that you get from these pickups. Personally, I loved the balance between the two ends of the spectrum, and appreciated the fact that I could extract distinct and not-too-muddy bass counterpoint that sustained without sounding boomy in the way some PAF-style humbuckers can. The super-present and punchy top end and high-mids from these pickups mean they can seem to overpower the low end at times. They also do a wonderful job of exciting spring reverb and fuzz effects. But while the most trebly tones are cutting and loud, there is still a little softness and compression at the peakiest edge of the transients and they retain a bell-like resonance that keeps these toppy tones thrilling and rich without singeing eardrums. Here you'll find biting sounds that would make a Telecaster blush.
The most striking tones come from the bridge pickup.
0 kommentar(er)
